Alan Moore: Comics as Performance, Fiction as Scalpel Contributor(s): Liddo, Annalisa Di (Author) |
|||||||
ISBN: 160473213X ISBN-13: 9781604732139 Publisher: University Press of Mississippi
WE WILL NOT BE UNDERSOLD! Click here for our low price guarantee Binding Type: Paperback - See All Available Formats & Editions Published: March 2009 Annotation: A study of the British author of "V for Vendetta, Watchmen, From Hell," and many other comics and graphic novels |
Additional Information |
BISAC Categories: - Literary Criticism | Comics & Graphic Novels - Literary Criticism | English, Irish, Scottish, Welsh |
Dewey: 741.597 |
LCCN: 2008038646 |
Physical Information: 0.7" H x 6" W x 8.8" L (0.75 lbs) 192 pages |
Themes: - Cultural Region - British Isles |
Features: Bibliography, Illustrated, Index, Table of Contents |
Review Citations: Chronicle of Higher Education 05/08/2009 pg. 21 |
Descriptions, Reviews, Etc. |
Publisher Description: Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works--Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea, and Lost Girls. The study also highlights Moore's lesser-known output, such as Halo Jones, Skizz, and Big Numbers, and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century. |
Contributor Bio(s): Liddo, Annalisa Di: - Annalisa Di Liddo is an independent scholar and translator based in Milan, Italy. She has been a contributor to Cityscapes: Islands of the Self; Londra tra memoria letterario e modernita; and Cross-Cultural Encounters: Identity, Gender, and Representation. Her work has also appeared in the International Journal of Comic Art. |
Customer ReviewsSubmit your own review |
To tell a friend about this book, you must Sign In First! |