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Alphabet Mystery First Edition
Contributor(s): Wood, Audrey, Wood, Bruce Robert (Illustrator)

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ISBN: 0439443377     ISBN-13: 9780439443371
Publisher: Blue Sky Pr
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Binding Type: School And Library
Published: August 2003
Qty:

Annotation: In this engaging alphabet book, the lower-case letters come to life in a fun adventure, where Little x saves the day. Full color.
Additional Information
Library of Congress Subjects:
Alphabet; Fiction.
Kissing; Fiction.
BISAC Categories:
- Juvenile Fiction | Concepts | Alphabet
Dewey: [E]
LCCN: 2002015296
Lexile Measure: 430
Academic/Grade Level: Toddlers, Ages 2-4
Book type: Easy Fiction
Physical Information: 10.25" H x 11.25" W x 0.50" (1.10 lbs) 40 pages
Accelerated Reader Info
Quiz #: 70132
Reading Level: 3.1   Interest Level: Lower Grades   Point Value: 0.5
Scholastic Reading Counts Info
Quiz #: Q33937
Reading Level: 1.9   Interest Level: Grades K-2   Point Value: 2.0
 
Descriptions, Reviews, Etc.

Contributor Bio(s): IV>Audrey Wood has been writing award-winning children's books for more than thirty years, and she is a fourth-generation artist. She often collaborates with her husband, Caldecott Honor illustrator Don Wood (THE NAPPING HOUSE; KING BIDGOOD'S IN THE BATHTUB; IT'S DUFFY TIME!), and she created many bestselling books with their son, Bruce Wood (ALPHABET MYSTERY; TEN LITTLE FISH). Audrey has illustrated numerous popular books herself, including SILLY SALLY, A DOG NEEDS A BONE, and BLUE SKY (2012). She lives with her husband in Hawaii, under the blue sky, rain sky, and changing-all-day sky.

As a fifth-generation professional artist, I grew up with art all around me ? in the studios of my parents and grandparents. I have always been very interested in art ? it always seemed like a lot of fun.

One of the major advantages of growing up in a family of artists is the support you receive while learning your art form. It was also a unique experience. One year for my birthday, my parents made me a kid-sized cardboard castle out of refrigerator boxes in our backyard. It took me a few years to realize that not all my friends' parents were as creative as mine.

My initial interest in digital art came about at a young age. I started using Commodore 64's when I was eleven or twelve, and by age thirteen, I could do basic programming. Since then, I was always interested in how companies made computer games, and I think that's what ultimately led me to 3-D design.

In 1991, I attended the California Institute of the Arts, where I studied drama and advanced my interest in art created on the computer. Then, in 1993, I decided to enroll in the innovative San Francisco State Multimedia Center, where I pursued my long-standing interest in designing computer programs by studying animation and 3-D modeling.

This year I joined my family's creative team and illustrated my first book, The Christmas Adventure of Space Elf Sam. The book took me over two years to make, and it was a true family collaboration. My mom wrote the story and my dad, Don Wood, functioned as art director.

I love telling stories with my art, and picture books are just that. And of course, I love seeing the face of a young child, sitting on a bookstore floor, completely immersed in a book that I have created.

Aside from being a children's book illustrator, I also surf, snowboard, and sail, which means that I do get to see the sun sometimes.


Reviewed by Horn Book Guide Reviews (Horn Book Guide Reviews 2004 Spring)
The letters in Charley's alphabet (which resemble plastic ABC refrigerator magnets) learn Little x has run away. They find him at a castle and talk him into returning home where the letter [cf2]x[cf1] will be used to represent kisses on a birthday cake for Charley's mom. The uninvolving, rather confusing story is accompanied by off-puttingly cold and repetitive digitally generated illustrations. Copyright 2004 Horn Book Guide Reviews.

Reviewed by Publishers Weekly Reviews (PW Reviews 2003 September #1)
In this follow-up to Alphabet Adventure, mother and son Woods again unleash young Charley's set of three-dimensional, lower-case letters on what is best described as a why-dunit. When the alphabet takes nightly roll call, something isn't right. Little x is missing, and the other 25 letters set off to track him down. They find him at the spooky castle of the ominously green Giant M (for Master) and discover that their comrade has become a captive but willing court musician ("tap-dancing a lullaby on a xylophone"). "I ran away because Charley never uses me," Little x whines. But when Little i (whose missing dot was the subject of the previous volume) explains Charley's plans for Little x in his mother's birthday surprise, the errant letter agrees to escape-a plan that turns out to be unnecessary, since the hulking M is really a big softie. Once again, Bruce Wood's super-saturated, digital pictures bubble with a playfully surreal sense of scale, volume and detailing, as he first shows the alphabet quaking in the shadow of M, then the Giant M blubbering-"I have a mother too"-as teardrops splash on the letters' surface. Whether the abecadarian cast is sailing to and from the castle on their pencil rocket, or picking out a present for Charley's mother from Giant M's treasure room (Little f picks a fan, Little n picks a necklace, etc.), every spread is letter-perfect. Ages 3-up. (Sept.) Copyright 2003 Reed Business Information.

Reviewed by School Library Journal Reviews (SLJ Reviews 2003 November)
PreS-Gr 2-A story that invites participation and promotes letter recognition. When Little x disappears from Charley's Alphabet, the rest of the letters search for him, finding him in the castle of Master M. To their surprise, he does not want to be rescued, because he is useful there unlike at home, where Charley seldom uses him. When Master M awakes and threatens to use the letters in soup, Little x comes to the rescue and they all return home safely. There, Charley helps his dad decorate a birthday cake for his mother, and he uses Little x four times-because it is the only letter that stands for kisses. As in Alphabet Adventure (Scholastic, 2001), children will work on a skill necessary to begin reading as they enjoy the story and the bright, three-dimensional-looking digital illustrations filled with detail.-Margaret R. Tassia, Millersville University, PA Copyright 2003 Reed Business Information.
 
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