|The Day the Crayons Quit
Contributor(s): Daywalt, Drew, Jeffers, Oliver (Illustrator)
ISBN: 0399255370 ISBN-13: 9780399255373
Publisher: Philomel Books
Binding Type: School And Library - See All Available Formats & Editions
Published: June 2013
Annotation: When Duncan arrives at school one morning, he finds a stack of letters, one from each of his crayons, complaining about how he uses them.
|Library of Congress Subjects: |
- Crayons; Fiction.
- Letters; Fiction.
- Color; Fiction.
|BISAC Categories: |
- Juvenile Fiction | Art & Architecture
- Juvenile Fiction | Concepts | Colors
- Juvenile Fiction | Humorous Stories
|Lexile Measure: 730|
|Academic/Grade Level: Kindergarten, Ages 5-6|
|Book type: Easy Fiction|
|Physical Information: 10.50" H x 10.50" W x 0.50" (1.10 lbs)|
|Accelerated Reader Info|
|Quiz #: 159597
Reading Level: 3.8 Interest Level: Lower Grades Point Value: 0.5
|Scholastic Reading Counts Info|
|Quiz #: Q61345
Reading Level: 3.5 Interest Level: Grades K-2 Point Value: 1.0
|Descriptions, Reviews, Etc.
Contributor Bio(s): iv>
Although Drew Daywalt grew up in a haunted house, he now lives in a Southern California home, haunted by only his wife, two kids, and five-month-old German Shepherd. His favorite crayon is Black.
Reviewed by Horn Book Guide Reviews (Horn Book Guide Reviews 2014 Spring)
All Duncan wants to do is color, but the crayons have gone on strike, and they've left Duncan a pile of letters listing their grievances. As the drama unfolds, Jeffers's spare crayon illustrations pop off the white background, adding movement and momentum to the imaginative narrative. The vibrant final spread addressing each color's concerns leaves all parties with an amicable resolution.
Reviewed by Horn Book Magazine Reviews (Horn Book Magazine Reviews 2013 #6)
All Duncan wants to do is color, but when he opens his box of crayons, he finds himself in the midst of a bitter labor dispute. The crayons have gone on strike, and they've left Duncan a pile of letters listing their grievances. From undervalued beige and pink to overworked red and blue, each crayon's letter clearly states a specific request for a change in working conditions. Even the green crayon, who has no complaints on its own behalf, explains that both yellow and orange, who are no longer speaking to each other, feel they should be the color of the sun. ("Please settle this soon because they're driving the rest of us crazy!") As drama unfolds among the colors, Jeffers's spare crayon illustrations pop off the white background, adding movement and momentum to the imaginative narrative. The personified crayons express such emotion in so few crude strokes, particularly the discouraged beige crayon with its furrowed brow and slumped shoulders, standing forlorn next to a single sprig of wheat (the only thing Duncan uses beige for besides turkey dinners). Photographs of the handwritten letters and coloring book pages establish verisimilitude in an otherwise outrageous premise, which amplifies the comedy. The vibrant final spread addressing each color's concerns leaves all parties with an amicable resolution and readers with a sense of satisfaction. shara l. hardeso Copyright 2013 Horn Book Magazine.
Reviewed by Publishers Weekly Reviews (PW Reviews 2013 April #3)
Although the crayons in this inventive catalogue stop short of quitting, most feel disgruntled. The rank and file express their views in letters written to a boy, Duncan. Red complains of having to "work harder than any of your other crayons" on fire trucks and Santas; a beige crayon declares, "I'm tired of being called â€˜light brown' or â€˜dark tan' because I am neither." White feels "empty" from Duncan's white-on-white coloring, and a "naked" Peach wails, "Why did you peel off my paper wrapping?" Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade, while Jeffers's (This Moose Belongs to Me) crayoned images underscore the waxy cylinders' sentiments: each spread features a facsimile of a letter scrawled, naturally, in the crayon's hue; a facing illustration evidences how Duncan uses the crayon, as in a picture of a giant elephant, rhino, and hippo (Gray laments, "That's a lot of space to color in all by myself"). These memorable personalities will leave readers glancing apprehensively at their own crayon boxes. Ages 3â€“7. Author's agent: Jeff Dwyer, Dwyer & O'Grady. (June)[Page ]. Copyright 2013 PWxyz LLC
Reviewed by School Library Journal Reviews (SLJ Reviews 2013 July)
K-Gr 2â€”In this delightfully imaginative take on a beloved childhood activity, a young boy's crayons have had enough. Fed up with their workload and eager to voice their grievances, they pen letters to Duncan detailing their frustrations. Energetic and off-the-wall, the complaints are always wildly funny, from the neurotically neat Purple ("If you DON'T START COLORING INSIDE the lines soonâ€¦ I'm going to COMPLETELY LOSE IT") to the underappreciated White ("If I didn't have a black outline, you wouldn't even know I was THERE!"). Daywalt has an instinctive understanding of the kind of humor that will resonate with young children, such as Orange and Yellow duking it out over which of them represents the true color of the sun or Peach's lament that ever since its wrapper has fallen off, it feels naked. Though Jeffers's messily scrawled crayon illustrations are appropriately childlike, they're also infused with a sophisticated wit that perfectly accompanies the laugh-out-loud text; for example, a letter from Beige, in which he bemoans being tasked with drawing dull items like turkey dinners, is paired with an image of the crestfallen crayon drooping over beside a blade of wheat. Later on, Pink grumbles about constantly being passed over for less-feminine colors while the opposite page depicts a discomfited-looking pink monster and cowboy being derided by a similarly hued dinosaur. This colorful title should make for an uproarious storytime and may even inspire some equally creative art projects.â€”Mahnaz Dar, Library Journal[Page 59]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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