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Work in Hand: Script, Print, and Writing, 1690-1840
Contributor(s): Douglas, Aileen (Author)

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ISBN: 019878919X     ISBN-13: 9780198789192
Publisher: Oxford University Press, USA
OUR PRICE: $35.65  

Binding Type: Paperback - See All Available Formats & Editions
Published: May 2017
* Out of Print *
Additional Information
BISAC Categories:
- Literary Criticism
Physical Information: 0.7" H x 5.3" W x 7.9" L (0.65 lbs) 208 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them. It provides fresh interpretations of
fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series
question familiar frameworks and provide innovative interpretations of both canonical and less well-known works.

Work in Hand: Script, Print, and Writing, 1690-1840 argues that between the late seventeenth and early nineteenth centuries manual writing was a dynamic technology. It examines script in relation to becoming a writer, in constructions of the author, and in emerging ideas of the human. Revising views
of print as displacing script, Work in Hand argues that print reproduced script, print generated script; and print shaped understandings of script. In this, the double nature of print, as both moveable type and rolling press, is crucial. During this period, the shapes of letters changed as the
multiple hands of the early-modern period gave way to English round hand; the denial of writing to the labouring classes was slowly replaced by acceptance of the desirability of universal writing; understandings of script in relation to copying and discipline came to be accompanied by ideas of the
autograph.

The work begins by surveying representations of script in letterpress and engraving. It discusses initiation into writing in relation to the copy-books of English writing masters, and in the context of colonial pedagogy in Ireland and India. The middle chapters discuss the physical work of writing,
the material dimensions of script, and the autograph, in constructions of the author in the late eighteenth and early nineteenth centuries, and in relation to Samuel Johnson, Alexander Pope, William Blake, Isaac D'Israeli, and Maria Edgeworth. The final chapter considers the emerging association of
script with ideas of the human in the work of the Methodist preacher Joseph Barker.

 
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